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'Korea's Elizabeth Taylor,' Kim Ji-mi, Passes Away at 85
  • Yonhap News
  • December 10, 2025 at 11:13 AM
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  • A key figure in the Korean cinema renaissance of the 1960s... with over 700 films to his name.
  • 'Gil Sotteum' · 'Toji' for Best Actress Award… also active as a producer for 'Jimmy Film'


원로배우 김지미Veteran actress Kim Ji-mee. Yonhap News

Veteran film actress Kim Ji-mee (real name Kim Myeong-ja) has passed away. She was 85 years old.


The Federation of Korean Film Actors announced on the 10th that "Actress Kim Ji-mee passed away in the United States" and that "Director Lee Jang-ho informed us."


Born in Daedeok-gun, South Chungcheong Province in 1940, the deceased was a representative star actress in the Korean film industry, debuting with Director Kim Ki-young's 'Twilight Train' (1957) and continuing to make films until the 1990s.


She worked with master directors through films such as 'The Land' (1974, Kim Soo-yong) and 'Gilsotteum' (1985, Im Kwon-taek), winning awards including the Best Actress award at the Panama International Film Festival and the Grand Bell Awards for Best Actress. The number of films she appeared in reaches approximately 700.


The title "Brilliant Actress," given to her when she was inducted into the "Hall of Fame for Film People" in 2010, succinctly describes her.


While attending Deokseong Girls' High School, she planned to study abroad in the United States. By chance, she was "street-cast" by Director Kim Ki-young and embarked on her acting career at the age of 17. The stage name 'Kim Ji-mee' she adopted during her debut became her professional name.


Receiving attention for her successful debut, she became an instant star the following year with the melodrama 'Starlight, Where Are You?' (1958, Hong Seong-gi). She went on to appear in films such as '3 PM on a Rainy Day' (1959, Park Jong-ho) and 'Jang Hee-bin' (1961, Jeong Chang-hwa), gracing the "Renaissance" period of Korean cinema that extended through the 1960s.


Her sophisticated and urban image was a captivating point for audiences at the time. 'Firefly' (1965, Jo Hae-won), in which she played a mysterious woman at the center of murder cases, is considered a representative work showcasing her "femme fatale" charm.


Her marriages and divorces with director Hong Seong-gi, with whom she created successful melodramas, and popular actor Choi Moo-ryong and singer Na Hoon-a, show a facet of her glamorous life as a star. She was even compared to Hollywood star Elizabeth Taylor.


손잡고 레드카펫 걷는 이장호 감독과 배우 김지미Director Lee Jang-ho and actress Kim Ji-mee walking hand-in-hand on the red carpet. Yonhap News 

She also demonstrated a broad scope as an actress. Her collaborations with masters like Kim Soo-yong, Im Kwon-taek, and Kim Ki-young were opportunities to test the limits of her acting.


She received the Best Actress award at the Panama International Film Festival and the Grand Bell Awards for her role as the matriarch leading a wealthy landlord family in 'The Land' (1974, Kim Soo-yong), and the Grand Bell Awards for Best Actress for her role as a prisoner in love in 'The Promise of the Flesh' (1975, Kim Ki-young), a remake of 'Late Autumn,' thus proving her acting prowess.


'Gilsotteum' (1985, Im Kwon-taek), in which she played a middle-aged woman searching for her separated family, is considered the pinnacle of her acting. She received the Grand Bell Award for Best Actress for this film, showcasing her mature performance with her own voice rather than post-dubbing.


She was also actively involved as a producer.


After establishing her production company 'Jimi Film' in 1985, she produced seven films, including 'Ticket' (1986, Im Kwon-taek).


The number of films she appeared in is known to be around 700, including 'Myung Ja Akiko Sonya' (1992, Lee Jang-ho).


She also demonstrated her capabilities as a film administrator.


She continued her active engagement by serving as the Chairman of the Korean Film Actors Association in 1995, co-chairman of the Emergency Committee for the Defense of Screen Quotas in 1998, and a committee member of the Korean Film Council in 1999.


Considered a "powerhouse of Korean cinema," she protected the Korean film industry with her unique charisma and strong presence.


At an open talk at the Busan International Film Festival in 2019, Kim Ji-mee said, "The time is approaching my final destination as an actress and as a person. I would be grateful if you would keep me forever in your hearts, you who have given me love."


The Federation of Korean Film Actors is preparing a funeral for the film industry, organized by the association.


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    guest2025-12-10 11:44:32

    이름만 알고있는정도지만, 저 시대에는 영화배우님들도 다 애국자님이셨을겁니다.고인의 명복을 빕니다

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