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[Column by Park Joo-hyun] Shouldn't we put a price tag on the rise of my home value...?
[This image was created with the help of AI]Since you managed to sell your house well while defending your asking price, there is a point I have been wanting to make that I must address now. A sp
[This image was created with the help of AI]
Since you managed to sell your house well while defending your asking price, there is a point I have been wanting to make that I must address now.
A space, as it is for anyone, does not exist merely as a physical volume. To ordinary people, a home is the wallpaper soaked in the sweat of arduous labor and a repository of time where the heights of growing children are marked on doorframes every year.
Everyone crosses the threshold of a bank to take on debt, barely securing a foothold for an insecure life. Hoping that, as time passes, that pile of old concrete will warm up with capital and serve as a small shield for one’s old age—that is not corrupt greed, but an extremely poignant and universal way of survival in a harsh world, trying to protect one's family.
However, in today's South Korea, this modest, human scent is a luxurious romance permitted only to a handful of wealthy individuals and foreigners holding stacks of cash.
The sentimental commotion Lee Jae-myung made while selling his apartment in Bundang is a sad comedy that proves how arrogantly they look down upon the lives of the public.
The initial report by the JoongAng Ilbo on the president’s (then candidate’s) apartment sale was dry. It was a calm statement of fact: a home bought for 360 million won in 1998 had become worth 2.9 billion won, netting a profit of 2.5 billion won.
Then, Lee Jae-myung, unable to hide his displeasure, stepped in to "correct" the print. From his lips, which poured out protests that the article was malicious, flowed a line worthy of literature.
He claimed it was a home bought amidst the cold winds of the IMF era, a space as dear as a favorite stuffed animal that raised his children. He argued he was not a speculator seeking profit, but a seeker who, with tears in his eyes, gave up his lifelong memories solely to set an example for the normalization of real estate.
In the end, the headline of the article was stripped of the worldly term "capital gain" and transformed into a noble hymn titled "Will for Real Estate Normalization."
It is at this point that I encounter the profound disgust emitted by the peculiar political engineering of the left. What is more terrifying than the monopoly of wealth is the "monopoly of narrative." How many people in this land buy up empty houses solely for the purpose of capital gains?
Ordinary people also lose sleep signing loan documents just like Lee Jae-myung, raising their children in those homes, and writing their own tearful narratives of life.
Then why is it that when an ordinary neighbor borrows money to buy a house, they are reduced to a speculator who sickens the national economy and becomes a target for punitive taxes, while the process of Lee Jae-myung realizing a 2.5 billion won profit must be praised as a holy sacrifice and moving family love?
They denounce the asset accumulation of others as a malady of capitalism that must be eradicated, while locking away their own massive wealth in a sterile room labeled "memories" and "romance," bleaching it clean.
This terrible self-righteousness posits that "my profit is a beautiful essay, while your profit is shallow greed." That sadism—trying to steal not only moral superiority but even the narrative of an ordinary life from the public—is the true face of leftist politics.
If you pull back the curtain on this lyrical melodrama, you will find the cold and clever calculations of capital. Behind that elegant farewell where he spoke of "memories" and "setting an example" was hidden a world of perfect private leverage, where he set a 1.77 billion won mortgage for the buyer.
It was a brilliant transaction where the buyer's desperation to secure member status for reconstruction and the seller's interest in extracting the full peak price of 2.9 billion won meshed like gears. They were utilizing the grammar of capitalism better than anyone else.
While the ink was drying on those documents, the streets were facing a harsh winter. Ordinary people in their 30s and 40s were bowing their heads at clogged bank counters, trying to get loans for tens of millions of won in deposits just to keep a roof over their heads. A leader who had so ruthlessly burned down the ladder of loans that ordinary people needed to climb was, in reality, leisurely walking through a spring of private financing worth 1.77 billion won.
In the face of this elegant barbarism—which traps the sweat-scented desires of others in the equality of poverty while placing their own wealth and memories upon a sacred altar—we must think quietly.
How long must we endure those noble excuses, recited while they strictly choked off the loans that are the survival lines for the common people, all the while rewriting the narrative to their liking?
If we do not tear down the curtain of that hypocritical narrative monopolized by power, the tearful time you have endured to keep your own home will forever be recorded only as a sin called speculation.

◆ Park Joo-hyun, Writer
A composer, music director, columnist, and essayist. Through Facebook, he actively expresses his opinions on political, current, and social issues, earning empathy from many. He is the author of the essay collection "Crossing the Stormy Sea."